To work with Eddie Murphy on Coming to America was a paid vacation for me because I’m an Eddie Murphy fan. “Some folks need bracing, as my uncle used to say. “Dave Chappelle gets his message across but doesn’t offend people who don’t need to be offended,” Amos opines.
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The movie also reunited him with his Roots costar, the late Madge Sinclair, who played Bell, the wife of his character, adult Kunta Kinte. Amos worked with Murphy on the 1988 classic Coming to America, in which he played Cleo McDowell, a businessman who owned a fast-food restaurant that too hilariously and closely resembled McDonald’s. He also adds that two of his favorite comedians - Eddie Murphy and Dave Chappelle - are able to use humor to communicate in a way he wishes he could have at their age. This is not gonna work.’ I just didn’t do it in the most diplomatic terms.”Īmos and Lear have since made amends, and Amos appeared in Lear’s 2019 special Live in Front of a Studio Audience: All in the Family and Good Times. So when I was being fed a line that was bulls–t, I wasn’t apprehensive at all about saying, ‘Uh-uh. We have a low bulls–t threshold in New Jersey. It was too often for Norman and the other writers to accept. I had innumerable arguments with the writers on the set in regards to my character’s demeanor, or what he would say in certain given situations. “When you allow other people to perpetuate your imagery, they will do so out of their own perceptions and minds, and it’s not always an accurate view,” he continues. “I hope that this phenomenon continues until we are totally in absolute control of our own imagery,” the Newark, New Jersey native divulges while comparing Good Times to its television descendants. But Amos adds that he wants the course correction to keep going. (on which he guest-starred) have Black writers and showrunners.
The acting veteran, whose credits also include Future Cop, Die Hard 2 and Two and a Half Men, says he feels relieved and proud that modern sitcoms such as black-ish, The Neighborhood and The Last O.G. And I’ve always contended, as some of my mentors taught me, the best way to get a message across to people is through humor.” Good Times was a form of Roots, except it told the story of who we are on a comedic basis. “It showed a Black family that had the same trials and tribulations as the rest of America, especially those who were financially challenged. “Florida was the glue that kept the family together,” Amos joyfully recalls. She played his wife, matriarch Florida Evans, despite being 20 years his senior in real life. While Amos doesn’t mention Walker or his character JJ, his fond recollections do include the late Esther Rolle. But Good Times corrected that imagery with its crazy teenage kids, a studious son Michael, as portrayed by Ralph Carter, and a beautiful young daughter with unlimited mental potential, as portrayed by BernNadette Stanis as Thelma.” “It was the sort of family white viewers had read about in their own magazines with their slanted perceptions. “America and the world got to see what life could be like within a Black family on Good Times,” Amos shares. In that way, Amos observes, Good Times and Roots had more in common than him. Roots, inspired by late author Alex Haley’s novel of the same name, drew a record 36.4 million viewers and remains one of the most watched television events of all time. And with Roots, I don’t think any of us involved in the production, particularly the network, were aware audiences would tune in to the extent that they did.” I had the chance to portray a father on a situational comedy that so many Black fathers and men of all races could identify with and appreciate.”Īmos adds that “up until that point, there had never been a complete Black family portrayed on television. “I’ve had a blessed career, and I attribute that to my faith in God and the fact that I was raised right. “The truth of it is, when I started acting, I never thought I would live this long, much less be an actor,” the 82-year-old tells TVLine with a chuckle.
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